Meg Cabot - book author
Librarian note: AKA Jenny Carroll (1-800-Where-R-You series), AKA Patricia Cabot (historical romance novels).
Meg Cabot was born on February 1, 1967, during the Chinese astrological year of the Fire Horse, a notoriously unlucky sign. Fortunately she grew up in Bloomington, Indiana, where few people were aware of the stigma of being a fire horse -- at least until Meg became a teenager, when she flunked freshman Algebra twice, then decided to cut her own bangs. After six years as an undergrad at Indiana University, Meg moved to New York City (in the middle of a sanitation worker strike) to pursue a career as an illustrator, at which she failed miserably, forcing her to turn to her favorite hobby--writing novels--for emotional succor. She worked various jobs to pay the rent, including a decade-long stint as the assistant manager of a 700 bed freshmen dormitory at NYU, a position she still occasionally misses.
She is now the author of nearly fifty books for both adults and teens, selling fifteen million copies worldwide, many of which have been #1 New York Times bestsellers, most notably The Princess Diaries series, which is currently being published in over 38 countries, and was made into two hit movies by Disney. In addition, Meg wrote the Mediator and 1-800-Where-R-You? series (on which the television series, Missing, was based), two All-American Girl books, Teen Idol, Avalon High, How to Be Popular, Pants on Fire, Jinx, a series of novels written entirely in email format (Boy Next Door, Boy Meets Girl, and Every Boy's Got One), a mystery series (Size 12 Is Not Fat/ Size 14 Is Not Fat Either/Big Boned), and a chick-lit series called Queen of Babble.
Meg is now writing a new children's series called Allie Finkle's Rules for Girls. Her new paranormal series, Abandon, debuts in Summer of 2011.
Meg currently divides her time between Key West, Indiana, and New York City with a primary cat (one-eyed Henrietta), various back-up cats, and her husband, who doesn't know he married a fire horse. Please don't tell him.
* The Princess Diaries
Meg Cabot is the author of books: The Princess Diaries (The Princess Diaries, #1), Size 12 Is Not Fat (Heather Wells, #1), Queen of Babble (Queen of Babble, #1), All-American Girl (All-American Girl, #1), The Boy Next Door (Boy, #1), Princess in the Spotlight (The Princess Diaries, #2), Princess in Love (The Princess Diaries, #3), Avalon High, Twilight (The Mediator, #6), Princess in Waiting (The Princess Diaries, #4)
Mia Thermopolis is pretty sure there’s nothing worse than being a five-foot-nine, flat-chested freshman, who also happens to be flunking Algebra. Is she ever in for a surprise.
First Mom announces that she’s dating Mia’s Algebra teacher. Then Dad has to go and reveal that he is the crown prince of Genovia. And guess who still doesn’t have a date for the Cultural Diversity Dance?
The Princess Diaries is the first book in the beloved, bestselling series that inspired the feature film starring Anne Hathaway and Julie Andrews.
Or, at least, she did. That was before she left the pop-idol life behind after she gained a dress size or two — and lost a boyfriend, a recording contract, and her life savings (when Mom took the money and ran off to Argentina). Now that the glamour and glory days of endless mall appearances are in the past, Heather's perfectly happy with her new size 12 shape (the average for the American woman!) and her new job as an assistant dorm director at one of New York's top colleges. That is, until the dead body of a female student from Heather's residence hall is discovered at the bottom of an elevator shaft.
The cops and the college president are ready to chalk the death off as an accident, the result of reckless youthful mischief. But Heather knows teenage girls . . . and girls do not elevator surf. Yet no one wants to listen — not the police, her colleagues, or the P.I. who owns the brownstone where she lives — even when more students start turning up dead in equally ordinary and subtly sinister ways. So Heather makes the decision to take on yet another new career: as spunky girl detective!
But her new job comes with few benefits, no cheering crowds, and lots of liabilities, some of them potentially fatal. And nothing ticks off a killer more than a portly ex-pop star who's sticking her nose where it doesn't belong . . .
What's an American girl with a big mouth, but an equally big heart, to do?
Lizzie Nichols has a problem, and it isn't that she doesn't have the slightest idea what she's going to do with her life, or that she's blowing what should be her down payment on a cute little Manhattan apartment on a trip to London to visit her long-distance boyfriend, Andrew. But what's the point of planning for the future when she's done it again? See, Lizzie can't keep her mouth shut. And it's not just that she can't keep her own secrets, she can't keep anything to herself.
This time when she opens her big mouth, her good intentions get Andrew in major hot water. So now Lizzie's stuck in London with no boyfriend and no place to stay until the departure date written on her non-refundable airline ticket.
Fortunately, there's Shari, Lizzie's best friend and college roommate, who's spending her summer in southern France, catering weddings with her boyfriend, Chaz, in a sixteenth-century château. One call and Lizzie's on a train to Souillac. Who cares if she's never traveled alone in her life and only speaks rudimentary French? One glimpse of gorgeous Château Mirac - not to mention gorgeous Luke, the son of Château Mirac's owner - and she's smitten.
But while most caterers can be trusted to keep a secret, Lizzie's the exception. And no sooner has the first cork been popped than Luke hates her, the bride is in tears, and it looks like Château Mirac is in danger of becoming a lipo-recovery spa. As if things aren't bad enough, her ex-boyfriend Andrew shows up looking for "closure" (or at least a loan), threatening to ruin everything, especially Lizzie's chance at ever finding real love...
Unless she can figure out a way to use that big mouth of hers to save the day.
10. Her big sister is the most popular girl in school
9. Her little sister is a certified genius
8. She's in love with her big sister's boyfriend
7. She got caught selling celebrity portraits in school
6. And now she's being forced to take art classes
5. She's just saved the president of the United States from an assassination attempt
4. So the whole world thinks she is a hero
3. Even though Sam knows she is far, far from being a hero
2. And now she's been appointed teen ambassador to the UN
And the number-one reason Sam's life is over?
1. The president's son just might be in love with her
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News Flash: Dad is prince of Genovia. (So that's why a limo meets her at the airport!)
Downer: Dad can't have any more kids. (So no heir to the throne.)
Shock of the Century: Like it or not, Mia Thermopolis is prime princess material.
Mia must take princess lessons from her dreaded grandmére, the dowager princess of Genovia, who thinks Mia has a thing or two to learn before she steps up to the throne.
Well, her father can lecture her until he's royal-blue in the face about her princessly duty--no way is she moving to Genovia and leaving Manhattan behind. But what's a girl to do when her name is Princess Amelia Mignonette Grimaldi Thermopolis Renaldo?
But the truth is, Mia spends all her time doing one of three things: preparing for her nerve-racking entrée into Genovian society, slogging through the congestion unique to Manhattan in December, and avoiding further smooching from her hapless boyfriend, Kenny.
For Mia, being princess is not the fairy tale it's supposed to be . . . or is it?
Suze has gotten used to ghosts. She's a mediator, after all, and communicating with the dead is all in a day's work. So she certainly never expected to fall in love with one: Jesse, a nineteenth-century hottie. But when she discovers that she has the power to determine who becomes a ghost in the first place, Suze begins to freak. It means she can alter the course of history... and prevent Jesse's murder, keeping him from ever becoming a ghost - and from ever meeting Suze.
Will Jesse choose to live without her, or die to love her?
Nor have her own subjects, for that matter. Mia's royal introduction to Genovia has mixed results: while her fashion sense is widely applauded, her position on the installation of public parking meters is met with resistance.
But the politics of bureaucracy are nothing next to Mia's real troubles. Between canceled dates with her long—sought—after royal consort, a second semester of the dreaded Algebra, more princess lessons from Grandmère as a result of the Genovian parking—meter thing, and the inability to stop gnawing on her fingernails, isn't there anything Mia is good at besides inheriting an unwanted royal title?