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Riley Sager - book author

Riley Sager is the award-winning pseudonym of a former journalist, editor and graphic designer who previously published mysteries under his real name.

Now a full-time author, Riley's first thriller, FINAL GIRLS, became a national and international bestseller and was called "the first great thriller of 2017" by Stephen King. Translation rights have been sold in more than two dozen countries.

Riley's second book, THE LAST TIME I LIED, was published in 2018 and became an instant New York Times bestseller. It was inspired by the classic novel and film "Picnic at Hanging Rock" and one horrible week Riley spent at summer camp when he was ten. A television adaptation is being developed by Amazon Studios.

His latest book, LOCK EVERY DOOR, was an instant New York Times, Publishers Weekly and USA Today bestseller. A television adaptation is being developed by Paramount TV and Anonymous Content.

A native of Pennsylvania, Riley now lives in Princeton, New Jersey. When he's not writing, he enjoys reading, cooking and going to the movies as much as possible. His favorite film is "Rear Window." Or maybe "Jaws." But probably, if he's being honest, "Mary Poppins."

Website: www.rileysagerbooks.com
Facebook: www.facebook.com/rileysagerbooks
Twitter: @Riley_Sager.

Riley Sager is the author of books: Final Girls, The Last Time I Lied, Lock Every Door, Home Before Dark, Last Time I Lied / A Borrowing of Bones / Not Our Kind / A gathering of Secrets

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Author Books

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Title
Description
01
Ten years ago, college student Quincy Carpenter went on vacation with five friends and came back alone, the only survivor of a horror movie–scale massacre. In an instant, she became a member of a club no one wants to belong to—a group of similar survivors known in the press as the Final Girls. Lisa, who lost nine sorority sisters to a college dropout's knife; Sam, who went up against the Sack Man during her shift at the Nightlight Inn; and now Quincy, who ran bleeding through the woods to escape Pine Cottage and the man she refers to only as Him. The three girls are all attempting to put their nightmares behind them, and, with that, one another. Despite the media's attempts, they never meet.
 
Now, Quincy is doing well—maybe even great, thanks to her Xanax prescription. She has a caring almost-fiancé, Jeff; a popular baking blog; a beautiful apartment; and a therapeutic presence in Coop, the police officer who saved her life all those years ago. Her memory won’t even allow her to recall the events of that night; the past is in the past.
 
That is, until Lisa, the first Final Girl, is found dead in her bathtub, wrists slit, and Sam, the second, appears on Quincy's doorstep. Blowing through Quincy's life like a whirlwind, Sam seems intent on making Quincy relive the past, with increasingly dire consequences, all of which makes Quincy question why Sam is really seeking her out. And when new details about Lisa's death come to light, Quincy's life becomes a race against time as she tries to unravel Sam's truths from her lies, evade the police and hungry reporters, and, most crucially, remember what really happened at Pine Cottage, before what was started ten years ago is finished.
02
Two Truths and a Lie. The girls played it all the time in their tiny cabin at Camp Nightingale. Vivian, Natalie, Allison, and first-time camper Emma Davis, the youngest of the group. The games ended when Emma sleepily watched the others sneak out of the cabin in the dead of night. The last she—or anyone—saw of them was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips.

Now a rising star in the New York art scene, Emma turns her past into paintings—massive canvases filled with dark leaves and gnarled branches that cover ghostly shapes in white dresses. The paintings catch the attention of Francesca Harris-White, the socialite and wealthy owner of Camp Nightingale. When Francesca implores her to return to the newly reopened camp as a painting instructor, Emma sees an opportunity to try to find out what really happened to her friends.

Yet it's immediately clear that all is not right at Camp Nightingale. Already haunted by memories from fifteen years ago, Emma discovers a security camera pointed directly at her cabin, mounting mistrust from Francesca and, most disturbing of all, cryptic clues Vivian left behind about the camp's twisted origins. As she digs deeper, Emma finds herself sorting through lies from the past while facing threats from both man and nature in the present.

And the closer she gets to the truth about Camp Nightingale, the more she realizes it may come at a deadly price.
03
No visitors. No nights spent away from the apartment. No disturbing the other residents, all of whom are rich or famous or both. These are the only rules for Jules Larsen's new job as an apartment sitter at the Bartholomew, one of Manhattan's most high-profile and mysterious buildings. Recently heartbroken and just plain broke, Jules is taken in by the splendor of her surroundings and accepts the terms, ready to leave her past life behind.

As she gets to know the residents and staff of the Bartholomew, Jules finds herself drawn to fellow apartment sitter Ingrid, who comfortingly, disturbingly reminds her of the sister she lost eight years ago. When Ingrid confides that the Bartholomew is not what it seems and the dark history hidden beneath its gleaming facade is starting to frighten her, Jules brushes it off as a harmless ghost story—until the next day, when Ingrid disappears.

Searching for the truth about Ingrid's disappearance, Jules digs deeper into the Bartholomew's dark past and into the secrets kept within its walls. Her discovery that Ingrid is not the first apartment sitter to go missing at the Bartholomew pits Jules against the clock as she races to unmask a killer, expose the building's hidden past, and escape the Bartholomew before her temporary status becomes permanent.
04
A woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?

"What was it like? Living in that house."

Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism.

Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father's book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father's death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.
05
THE LAST TIME I LIED: A young woman returns to her childhood summer camp to uncover the truth about a tragedy that happened there fifteen years ago.

A BORROWING OF BONES: Military cop Mercy Carr and her canine partner Elvis survived their last deployment. But grief and guilt continue to haunt them as murder somehow finds them again.

NOT OUR KIND: A chance meeting between two women in postwar New York City results in wholly unexpected consequences when their very different worlds collide.

A GATHERING OF SECRETS: Chief of Police Kate Burkholder must untangle the mess that's left behind after a deadly fire exposes the dark side of Amish life.